Our quarterly Campus Connection newsletter aims to connect college journalism students and professors with the features journalism society at large. If you have ideas for future newsletters, please like us on Facebook and leave a comment there. Thanks!
The Penny Bender Fuchs Diversity Fellowship winners, Mariecar Mendoza and Denise Watson, reflect on their time at the 2014 SFJ annual conference:
During a time in the media industry where metrics and analytics rule many newsrooms, it’s refreshing to know that there is a still a smart, creative group of enthusiastic people who champion the art of storytelling.
What’s more, they’re focused on storytelling about music that moves, food that strengthens bonds with loved ones – or helps folks with their gastrointestinal tract.
That’s the biggest takeaway I got from my first Society of Features Journalism conference, hosted in Nashville this summer.
When I was a teen, I always dreamed of being in the same room with arts and entertainment writers and editors who understood the importance of what most newsrooms scornfully dub “fun journalism.” This year, not only got nearly a week with them, but I got real time with them to bounce around ideas – steal a few ideas, too – and find out how they’re dealing with this digital world that has everyone working on so many platforms at such a fast pace.
Tommy Tomlinson, a writer for Forbes, probably summed up what features writing means to me when he told the attentive crowd of SFJers: “I like to write big stories out of little moments.”
There was no escaping that we’re in a digital world that thrives on web clicks and by no means did this conference talk about the industry’s digital push with disdain. Going “digital” is what has sparked departments everywhere to rethink how they do journalism.
But what is doing journalism in this digital world?
It’s still about telling stories about moments in your community, in your state, in your world.
SFJ’s conference was inspiring, uplifting and all those sappy words that features writers are told not to overuse in their stories. It gave me a refresher course in mobile video, narrative writing and metrics, but it reminded me that there is still a reason to do journalism – and more importantly, features journalism.
Mariecar Mendoza is a features digital director for the Los Angeles News Group. She is one of the 2014 Penny Bender Fuchs Diversity Fellows.
The conference, particularly the sessions with writers Tommy Tomlinson,Peter Cooper, and Robert Hilburn, reinforced my mantra: Journalists still have an important role to play in society.
It goes beyond the obvious, such as giving readers information they need to navigate their lives. What Cooper, Tomlinson and Hilburn did was speak to the idea that writers, particularly with narrative, connect people.
Tomlinson’s presentation on “Ode to Billie Joe” was brilliant. One of the first questions he asked, “How do we become storytellers?” sent me back to listening to my grandfather’s World War II stories while sitting with him on his front porch.
Tomlinson then answered his own question by saying that he became a storyteller through music. That is also true for me. Ever since I was a kid, I’ve gravitated toward music and musicians who told stories through their songs – Billy Joel, Elton John, Joni Mitchell – even when I was too young to understand the lyrics. Their words and their voices, I knew instinctively, meant something. And that something is why so many other people love and relate to the same song, such as Joel’s “The Piano Man,” or Bobbie Gentry’s “Ode to Billie Joe.”
By dissecting the music, Tomlinson did what I’ve seen Tom French do in presentations, and it is a great practice for writers. Analyze the song in order to find out why it rings true and how you can use those same tricks in your writing.
Why does the first line of “Ode” catch you? The alliteration of “dusty, Delta day,” particularly at the end of the sentence. The contrast of the shock of this man’s death woven into the day-to-day goings of this family is authentic. Often, crap happens but life can’t stop. And the unfolding of the action throughout the song, the listener realizing that the narrator has a connection to the dead man, is the wonderful narrative arc of the story.
Hilburn reminded me of all the research that is necessary to paint an accurate portrait of a subject. You can have all of the facts in the world, stitch them together and you can still be off in your assessment. But, for family members, who should know the subject in and out, to compliment a writer for his authenticity is high, high praise.
Cooper was not only entertaining, but refreshing in that he didn’t come into the business from journalism school. But he was led here by what leads so many writers. As he said, “We are in the passion business. We want to make people feel something.”
He’s shown that time and again with his work, and that is always inspiring to me.
I also loved the tips he gave about not writing a true budget line when you can’t possibly know the story (I’ve been there so many times), and how not to tell your editor where you are going and what you are up to.
What writer wouldn’t like that advice?
Denise Watson has been a reporter for The Virginian-Pilot for 22 years
We have a long-standing commitment to recognize and celebrate excellence in feature storytelling and this remains at the heart of the group’s mission. But times change, and our workplaces are in transition. Your daily routine may barely resemble what it was just a few years ago.
Please take a few minutes to share your feedback. Let us know how we can help you in this challenging new environment.
We believe that SFJ is an important resource for you and your colleagues — your smart and savvy ideas will help us keep it that way!
Thanks, in advance. And, take the survey now: https://www.surveymonkey.com/s/SFJ0814
Nashville, the home of country music, also is home to the Johnny Cash Museum. Learn more about the “Man in Black” with Robert Hilburn, author of Johnny Cash: The Life, the featured luncheon speaker at SFJ Nashville 2014.
Hilburn, one of the top music beat writers in the country, was the only journalist at Cash’s famed Folsom Prison concert. His book draws from interviews with Cash and his contemporaries, and, boy, does he have stories.
That’s just one of the musically related highlights of the Nashville bash, Aug. 20-23 at the John Seigenthaler Center at Vanderbilt University.
– Watch a special performance of “Freedom Sings,” a music lesson on the fragility of the First Amendment, with Nashville musicians and journalists.
SOCIETY OF FEATURES JOURNALISM HONORS THE BEST IN ITS FIELD
FOR MEDIA INQUIRIES:
Betsey Guzior, SFJ President, 803-771-8441
Merrilee Cox, SFJ Executive Director, 301-314-2631
The Society for Features Journalism has honored four Pulitzer Prize winners and three Pulitzer finalists as part of its 2014 Excellence-in-Features Awards contest.
Also receiving awards were nine newspapers for outstanding features sections and journalists in 14 other categories. Contest winners were announced today.
More than 600 entries were judged in the contest, which honors the craft of feature storytelling and the people who do it for a living at news organizations and wire services in the United States and Canada.
Pulitzer Prize winners who won SFJ awards included:
–Liz Balmaseda of the Palm Beach (Fla.) Post, who place first in arts-and-entertainment commentary in the small newspaper division. She won a Pulitzer for commentary in 1993.
–Philip Kennicott of the Washington Post, who placed first in SFJ’S Arts and Entertainment Commentary Portfolio category in the large-newspaper division. He received a Pulitzer for criticism in 2013.
–Eli Saslow of the Washington Post, who placed first in Narrative Writing in the large-newspaper division for “Into the Lonely Quiet,” a poignant look at a family who lost a child in the Newton, Conn., school shooting. He won a Pulitzer this year for Explanatory Reporting.
–Gene Weingarten of the Washington Post, who placed second for his General Commentary Portfolio in the large-newspaper division. He has won two Pulitzers for Feature Writing.
Others honored by SFJ included this year’s three Pulitzer Feature Writing finalists, a category in which no award was given. They are:
–Scott Farwell of the Dallas Morning News, who won SFJ’s Series or Project award in the large-newspaper division for “The Girl in the Closet,” a series about a woman’s efforts to lead a normal life after years of severe abuse. He was a Pulitzer Feature Writing finalist for that series.
–Christopher Goffard of the Los Angeles Times, who placed first and second in SFJ’s General Feature category. He was a Feature Writing finalist for “The Manhunt for Christopher Dormer,” which was not entered in SFJ’s contest.
–Mark Johnson of the Milwaukee Journal Sentinel, who was the writer of the series “The Course of Their Lives,” which earned two SFJ awards. He was a Pulitzer Feature Writing finalist for that series.
Also winning awards was Carlos Frias, who was an SFJ Diversity Fellow last year. Frias, of the Palm Beach (Fla.) Post, received honors in General Feature, Short Feature and for his body of work in General Commentary and Feature Specialty Writing.
Winning best-section honors in the small-newspaper category (circulation of 90,000 or less) were the Colorado Springs Gazette, Edmonton (Canada) Journal and Portland (Maine) Press Herald.
In the medium-size category (circulation of 90,001 to 199,999), the winners were the Fort Worth (Texas) Star-Telegram, St. Louis Post Dispatch and The Virginian-Pilot in Norfolk.
Winners in the large-newspaper category (circulation of 200,000 and above) were the Los Angeles Times, Star Tribune in Minneapolis and the Washington Post.
Among smaller newspapers, those receiving the most awards were the Palm Beach (Fla.) Post, with nine, and the Edmonton (Canada) Journal and (Albany, N.Y.) Times Union, with seven apiece. In the middle-sized newspaper category, the big winners were The Virginian-Pilot with 10 awards, CNN.com with five and the Austin (Texas) American-Statesman with four. In the large-newspaper category, the Washington Post received 13 honors, the Los Angeles Times won 11 and the Tampa Bay (Fla.) Times had nine.
SFJ will recognize the winners at its national conference Aug. 20-23 in Nashville. SFJ is an organization that promotes and celebrates features journalism.
For a complete list of this year’s winners, please see this link: http://featuresjournalism.org/sfj-26th-annual-contest-winners-by-category
FOR CONTEST INQUIRIES:
Suzy Fleming Leonard, contest co-chair, 321-543-4261
Jim Haag, contest co-chair, 757-446-2977
“We need more video!” That’s the battle cry from editors in newsrooms. But where you do you go from there?
At SFJ14 in Nashville, you’ll get instruction and inspiration from two seasoned pros, in two sessions on the opening day of the Society for Features Journalism conference. Val Hoeppner travels around the country teaching journalists how to shoot video. She’ll bring her enthusiasm and the newest tools for you to use. Later, learn how to take those skills to the next level with Josh Meltzer of Western Kentucky University.
Sign up for the conference, Aug. 20-23, at the John Seigenthaler Center at Vanderbilt University in beautiful Nashville. Click here for registration and hotel details.
We want to see you in August for SFJ14. The annual features journalism conference is an excellent way to gain new skills, networks and friends in features journalism. Register now and save big on early bird rates. Download the registration form and reserve your room today! See you August 20th-23rd in Tennessee!
Members (early bird by June 9 ): $275
Non-members (early bird by June 9 ): $400
Day Rate: $75
Check (made payable to SFJ)
PayPal (please add $5 to cover processing costs)
Credit Card (please add $5 to cover processing costs)
It’s not too soon to make your plans for this year’s SFJ Conference in Nashville, August 20-23.
The Embassy Suites at Vanderbilt , our proud host for the 2014 SFJ conference, is ready to accept reservations NOW! Located in the heart of Nashville at 1811 Broadway St., the Embassy Suites is close to the John Seigenthaler Center at Vanderbilt University, the site of this year’s conference.
…Next week, we’ll begin revealing our lineup of speakers and sessions.
We know the SFJ conference in Nashville will be the hottest journalism meet-up this year. But we hear ONA is pretty great, too. And who doesn’t love Chicago?
Because ONA recognizes SFJ as a vital and innovative group, it has donated one registration to its fall conference. This is a value of up to $989. The cheapest registration for ONA members is $439.
So it’s a win-win for SFJ and for you!
Here’s how it works:
* Go to the SFJ Facebook page
* Enter your bid in the comments section.
* The starting bid is $350, and you can bid as often as you want.
* Bidding ends at 5 p.m. MONDAY May 19th.
* Upon receipt of check payable to SFJ Foundation, you will receive notification from ONA about your registration.
This auction is open only to SFJ members (Not a member yet? Join here.)
The Pulitzer board did not award a prize for feature writing this year.
The Poynter Institute’s Roy Peter Clark, a former Pulitzer juror and a friend of features folks, speculated this week that part of the reason for the snub is that features journalism is a bit hard to define.
What is features writing anyway?
Members of our organization, the Society for Features Journalism, produce some of the finest narrative storytelling in journalism. Some of us drive cultural and artistic discussions in our communities. Many of us still tell stories no one else would spend to time to do.
And, yes, some of us are writing celebrity blogs, compiling Top 10 lists, making how-to videos, posting reality show recaps and cooking up crazy reader contests.
It’s all features.
Features writers, editors and producers have been rattled by the recession and the changes in the news industry. Arts critics are rare these days, and features sections have been decimated or eliminated.
But know this: Many of the survivors — lifestyle and arts and entertainment journalists — are leading newsrooms into a digital age and finding new ways to reach out to readers and tell stories. Innovative work in newsrooms is being driven by the features staffs, who, through powerful and resourceful storytelling, learned the hard way to create something exciting, often from nothing.
Quality features journalism is spreading beyond traditional print newsrooms. Some of the recent winners in our SFJ national writing awards were from CNN and Today.com.
Did features journalism take a hit Monday when the Pulitzer board decided to withhold a prize in features writing?
Features Editor, The State, Columbia, SC
P.S. SFJ guarantees prizes in its annual writing and best section contest. Enter by clicking here
SFJ’s Penny Bender Fuchs Diversity Fellowship Program is seeking applications from journalists of color who are interested in attending our annual conference, happening Aug. 20-23 at the Freedom Forum in Nashville. Programming will have heavy emphasis on multimedia, leadership and writing.
Diversity fellows learn what’s happening in features departments nationwide while networking with outstanding journalists specializing in lifestyle coverage. Fellowships cover SFJ conference registration, airfare and hotel. Fellows will also receive a $300 stipend to be used toward conference-related expenses such as baggage and transportation fees and meals not covered by the conference.
Fellows are asked to contribute to the conference by completing a project and presenting a short report to the group at the conclusion of the event.
The 2014 SFJ Excellence-in-Features Awards is now taking entries. We’re using an online system this year, which we hope will make the experience less cumbersome. Here’s how to get started:
For details on the categories, check out the BNC site or find them under the “Contest” heading here labeled “26th annual Excellence in Features Journalism.”
The deadline for entries is April 18.
Also, this year we have three new categories:
Narrative Storytelling: A single story told in a narrative style, using techniques such as character development, use of dialogue, sense of place, scene building, narrative arc and adherence to theme. Sidebars accepted. Each entry consists of one story. All entries, regardless of circulation group, compete in one group.Blog Portfolio: Three blog posts by the same writer on any feature topic, including commentary and reviews. Each entry consists of three blog posts. All entries, regardless of circulation group, compete in one group.Digital Innovation: New or improved online ventures, which can include new or upgraded websites, apps, social-media experiments or other ways to share information in the digital world. Entries will be judged on creativity and impact. Must include a description of no more than 250 words on how the innovation came about, its goals and its success. Submit explanation as a Word document attachment. One entry consists of one innovation, such as an app or a website. All entries, regardless of circulation group, compete in one group.
According to JournalismDegree.org, they are among the “151 Twitters Worth A Follow” in its recently released “Best in #Journalism” list.
So the Society for Feature Journalism — @WeAreSFJ — is in good company at spot #106!
Here’s JournalismDegree’s description of our Twitter account: “The Society of Features Journalism helps journalists refine their craft through some of the most innovative posts across the internet. They’re incredibly active in retweeting other notable journalism publications, which only makes their feed stronger.”
JournalismDegree.org describes itself as “a site dedicated to providing timely and relevant information about journalism degrees and programs.”
It decided to put out this list because of Twitter’s effect on journalism.
“These are some of the journalists, bloggers, and news organizations that are pushing the limits of what can be accomplished with Twitter,” the site explains. “Budding journalists and seasoned pros should be following every one of these accounts.”
Thank you! We are honored to have been included on this list and we’ll keep tweeting away.
The 2014 Golden Globes are over, and the general consensus seems to be: We love Tina Fey and Amy Poehler as hosts; we love it when celebrities get drunk and unpredictable; and we have plenty of comments to offer on the dresses that hit the red carpet Jan. 12.
But if you’re looking for second-day story on the entertaining evening, here are three things that are generating talk (click on image for links).
Joining is easy. Just download and complete this registration form: https://db.tt/r2aeFpCO
You can also make your membership payment online with PayPal.
And, don’t forget! There is a multiple-member discount, so you can add new colleagues and save big.
Questions? Email Merrilee Cox.
Happy holidays, and see you next year!
By Greg Braxton
2013 SFJ Diversity Fellow
ST. PETERSBURG, FLA — Ethics have always been a hallmark of journalism. But the advance of digital technology within newsroom is fueling an ethics revolution.
That was the message behind the session, “Ethics In a Digital Age,” officiated by Kelly McBride, a Poynter Institute faculty member specializing in media ethics.
“Journalism ethics will change,” McBride said during a spirited address during the Society for Features Journalism conference at the institute.
Although independence has been held as one of the pillars of journalism, readers now are valuing transparency over independence, said McBride.
“When we are transparent, then we have the trust that is crucial in a relationship with the audience,” she said. “We have to show people why they should believe, we have to communicate why we are trustworthy.”
By Greg Braxton
2013 SFJ Diversity Fellow
ST. PETERSBURG, FLA — The business of journalism is such a relentless beast filled with deadlines and constant pressure that it can have a negative, even stifling impact effect on creativity and attitude.
In a session spiced with good humor and energy during the Society of Features Journalism conference, senior Poynter Institute faculty member Jill Geisler, who specializes in leadership and management, spoke on how to nurture creativity with newsrooms, and how to heighten it without sacrificing the demands of producing news.
“We’re often so tied up on the product,” said Geisler in an address that was mainly geared to editors. “We have to be as good at growing and nurturing people as we are about the product … you want your most creative people to be engaged in the workplace.”
She provoked laughter among the attendees when she said, “Creativity is intelligence having fun,” noting that “play” is important to people who are creative.
“Set up a climate where playfulness can or can’t happen with creative people,” said Geisler, who also said that editors should not be reluctant to use “tough love” when necessary.
Geisler provided several tips, including leading “with Feedback Glasses,” instructing editors to have continued meaningful interaction with their reporters and staff so that there is an understanding of mutual goals, which will fuel motivation between both parties.
By Greg Braxton
2013 SFJ Diversity Fellow
ST. PETERSBURG, FLA — Personality profiles can be the most insightful, involving pieces in print journalism, providing in-depth glimpses into fascinating figures while simultaneously allowing writers time and space to display their craft.
But every so often, the process produces results that can be unexpected, and, in some instances, even tragic.
Tampa Bay Times enterprise reporter Leonora LaPeter Anton encountered that delicate situation with her award-winning 2012 profile of a woman suffering from persistent genital arousal disorder, a rare debilitating disease that produces unwanted sexual feelings and responses. The intricately detailed story which exposed the humiliating ordeal of Gretchen Molannen also proved to be a troubling experience for both Molannen and the seasoned Anton, who detailed their encounters during a gripping session at the October conference for the Society for Features Journalism.
Before the story with Molannen was published in late November, she committed suicide. She took her life on Dec. 1, the day after the story appeared online.
Choking up at times as she recalled the experience, Anton defined the experience as a journey between her and Molannen, two people that always had a trace of possibility that something horrible may happen.
By Carlos Frías
2013 SFJ Diversity Fellow
ST. PETERSBURG, FLA — In the 40 minutes it takes Diane Cowen to commute from the Houston Chronicle, she’d considered, conceived and came home ready to celebrate the idea for her first book.
Cowen, the Chronicle’s food and religion writer, burst through the door, heading for her computer, and called out to her husband, “I’m going to write a cookbook!”
His response? “OK. What are we going to have for dinner tonight?”
They went out to dinner.
She came up with the idea for “Sunday Dinners,” a book that examines the Sunday mealtime traditions for famous families of faith such as Joel Osteen and T.D. Jakes, simply by thinking about her beats — something she suggests any reporter can do.
“I thought sarcastically, ‘I guess I could write a cookbook for religious people.’ I literally laughed out loud in my car and then… I thought, ‘That is not a bad idea,’ ” she said during the Society for Features Journalism panel examining how books can spring from the newsroom.
By Carlos Frías
2013 SFJ Diversity Fellow
ST. PETERSBURG, FLA — To watch Al Tompkins concoct story ideas is a free association spectacle.
Government shutdown, you say? Tompkins, a Poynter professor and journalist of 35 years, sees FHA loans that aren’t being processed, veterans’ disability checks getting held up, the flu spreading wildly without the CDC open to warn us, border patrols shutting down and food stamps not getting processed.
He can do that with just about any topic, conjuring story ideas simply by asking how a big, public event affects five areas: money, family, safety, health, community.
With that filter, writers and editors can devise local angles to big stories. And not all of them have to focus on malfeasance.
“Part of our job is to investigate wrong-doing. Part of our job is to investigate right-doing,” Tompkins said. “There are people who do good work and we should hold them up when they do. … People are hungry for that.”
The core of reporting, he said, is to forget our stereotypes — that politicians are all crooked, that the elderly are all frail, that “kids today” all know nothing.
“It’s not all like you think,” Tompkins said.
Moneymakers: Reader contests, special promotions and new sections.
Saved The Day: Quick turn-around packages, great ideas stolen from the newsletter or last year’s Show & Steal.
Totally Entertaining: Fun topics from the world of entertainment and pop culture.
Holidays: How did you cover (any) holidays this year in a fresh, innovative way?
Editor’s Choice: Enterprise, special projects or any great concept that doesn’t fit elsewhere.
Online Superstars: Digital content only, a video, blog or anything else that got lots of traffic and buzz.
Content should have been published between June 1, 2012, and July 31, 2013.
For print entries, please send PDFs of your pages. For online entries, please send web links.
SEND ENTRIES: ShowSteal@chron.com
DEADLINE IS: Sept. 6, 2013
If you have any questions, contact Melissa Aguilar and Diane Cowen, Show & Steal committee co-chairs, at ShowSteal@chron.com.
We want to see you in October for #SFJ13. The annual features journalism conference is an excellent way to gain new skills, networks and friends in features journalism.
Need more convincing? Here are a few tips to make the sell to your editor or boss:
The challenge: Convince the boss to let me attend the SFJ Annual Conference at The Poynter Institute in St. Petersburg October 9-12.
The solution, Part 1: For three days, I will rub elbows with the most talented features journalists and the best journalism trainers in the country. I will return renewed, refreshed, energized and filled with new ideas to help make everyone in my newsroom a better journalist/writer/editor/producer.
The solution, Part 2: I will become more productive, a virtual “…Story Idea Machine”** and will be better prepared to handle the challenge of “Leading Creative People”**.
The solution, Part 3: I’ll move further along the ever changing cutting edge of the business with “Visual Thinking from Big Data to Simple Idea”** and “Tablet Storytelling”**
Take a moment to mark your calendar and make your plans to join us for the SFJ 2013 Features Journalism Conference.
Hotel reservations are being accepted now.
A bulk room rate has been secured for $109/night. The hotel offers free wifi and provides a shuttle to and from the Poynter campus.
You can reserve your room now by going to this link: http://cwp.marriott.com/tpasd/societyoffeaturesjournal
We would love to hear why you attended the conference and what’s the best idea you picked up at a recent SFJ conference that you put to use in your newsroom?
As the features editor of The Roanoke Times, I’ve attended five conferences and have felt recharged at each one. It’s a great way to network and meet other features editors and learn from one another. It’s also nice to have the time away from the daily pressures of the office to evaluate our jobs and challenges, and get advice if needed.
Thanks to the Show & Steal sessions, I’ve brought back great ideas to reproduce at my paper, including asking readers for their hilarious Scared of Santa photos. And you’ll never fail to find something amazing at our annual silent auction to benefit our diversity fellows program.
Now it’s time for you to share your testimonial. How did the conference help you in your job? Leave your comments below or tweet us at @WeareSFJ. We may share some of your thoughts in our conference program this year.
– Kathy Lu
SFJ would like to recognize the wonderful work being done on a daily basis by you and your colleagues around the country. The full list of winners can be found on our contest page.
All winners will be formally recognized at our annual conference at Poynter in October.
Congratulations one and all!
The Society for Features Journalism has awarded Penny Bender Fuchs Diversity Fellowships to two minority journalists to attend the organization’s 2013 annual conference.
Greg Braxton, entertainment reporter at the Los Angeles Times, and Carlos Frias, columnist and features writer at the Palm Beach Post, will receive all-expense paid trips to attend the conference Oct. 9-12 at the Poynter Institute in St. Petersburg, Fla.
Braxton has been a journalist for 35 years. A graduate of the California State University at Northridge, he started as reporter at the Los Angeles Herald Examiner. He moved to the Los Angeles Times, where he has worked since 1982. Braxton has primarily covered television at the L.A. Times since 1992 and has been part of three Pulitzer Prize-winning teams at the paper. He has continually examined the issue of minority representation in film and television and says, “There is much more work to be done in the industry on this front, and I fully intend to keep reporting on it. Participating in this fellowship will help provide me with added perspectives and insights that no doubt will assist me in that endeavor.”
Frias is a graduate of the University of Florida in Gainesville. He has been a staff writer at the Cincinnati Enquirer, the St. Petersburg Times and the Atlanta Journal-Constitution. He has worked at the Palm Beach Post since 2004, focusing on long-form narrative journalism and previously on special projects in sports. He won the International Latino Book Award for best debut book for “Take Me With You: A Secret Search for Family in a Forbidden Cuba” in 2009 and first-place awards from SFJ for general and specialty features in 2011. Of his job, Frias says, “Features allows us to tell the stories of amazing people in amazing circumstances and ordinary folks in extraordinary times.”
The Diversity Fellowship offers an opportunity for journalists of color to gain a broader experience in features and underscores SFJ’s commitment to diversity within our newsrooms. Applicants were judged on the quality of their work samples, their interest in features journalism and their commitment to diversity issues. The society’s membership is open to any features writer interested in sharing and learning from a community dedicated to advancing storytelling in our society.
The Dallas Morning-News is sponsoring a new contest honoring narrative nonfiction writing in a daily U.S. newspaper or a U.S. newspaper website. It’s called the Best American Newspaper Narrative Writing Contest. The contest is conducted by the Mayborn Conference.
The prizes are impressive:
- First place winner will receive $5,000 and free registration to attend the Mayborn Literary Nonfiction Conference July 19-21, 2013 in Grapevine, Texas
- Second place winner will receive $2,000
- Third place winner will receive $1,000
Submissions must have been published between Jan. 1, 2012 and December 31, 2012. Deadline to enter is June 1.
Deadline to apply for the fellowship has been extended a week (giving you time to finish your taxes AND your application!). Please encourage your colleagues look into this wonderful opportunity.
When: Oct. 9-12, 2013, at the Poynter Institute in St. Petersburg, Fla.
Sponsor: Society for Features Journalism
Who is this for: Journalists of color who produce arts and features content for news organizations or those interested in pursuing careers in arts and features.
Application deadline: April 22, 2013
About the fellowship: The Society for Features Journalism is committed to developing news-gathering staffs representative of the multicultural communities its members serve. Toward this goal, SFJ is sponsoring the Penny Bender Fuchs Diversity Fellowship Program for journalists of color in conjunction with its annual conference at the Poynter Institute. Programming will have heavy emphasis on multimedia, leadership and writing.
Relax a little, we’ve extended our deadline — by popular demand — to Friday, April 5th.
But hurry, there’s only a few days left to submit your best in features journalism. Check out all the rules, and enter our contest now: http://featuresjournalism.org/contests-2/
The deadline for the 25th Annual Features Journalism Contest is fast approaching. Please visit our contest page to learn how you can enter. Don’t forget there are three new categories this year for entrants in video storytelling, integrated storytelling and student general features.
Contest information: http://featuresjournalism.org/contests-2/
For those of you submitting multiple entries this year, please follow a tip from Paul Saltzman of the Chicago Sun-Times:
When you have completed an entry, you will click “submit” to send the information. You will then see “message sent” along with a rundown of the information you entered.
At this point, you will also see “go back.” If you click on the “go back” it will indeed take you back, but it will also clear out all the fields in your submission. You can save yourself time and effort of retyping the same information (newspaper name, address, phone, etc.) if you use the back arrow on your browser instead. This way, you’ll only have to enter the new information for your next entry!
2013 Penny Bender Fuchs Diversity Fellowship
When: Oct. 9-12, 2013, at the Poynter Institute in St. Petersburg, Fla.
Sponsor: Society for Features Journalism
Who is this for: Journalists of color who produce arts and features content for news organizations or those interested in pursuing careers in arts and features. There are two fellowships available.
Application deadline: April 15, 2013
The Society for Features Journalism is committed to developing news-gathering staffs that are representative of the multicultural communities its members serve. Toward this goal, SFJ is sponsoring the Penny Bender Fuchs Diversity Fellowship Program for journalists of color in conjunction with its 2013 annual conference, happening at the Poynter Institute. Programming will have heavy emphasis on multimedia, leadership and writing.
Diversity fellows learn what’s happening in features departments nationwide while networking with outstanding journalists specializing in lifestyle coverage.
Fellowships cover SFJ conference registration, airfare and hotel. Fellows will also receive a $300 stipend to be used toward conference-related expenses such as baggage and transportation fees and meals not covered by the conference.
How did features sections across the country cover the Oscars on Sunday? We sent a query out to our members and got this roundup. Check it out for ideas for next year!
SFJ is officially announcing our call for entries in two contests:
25th Annual SFJ Best Section, Niche Product
The SFJ Best Section and Best Niche Product awards honor the craft of feature writing and the people who do it for a living at news organizations and wire services. Winners of the 25th Annual contest will be announced in May and honored at SFJ’s national conference at the Poynter Institute in St. Petersburg, FL., on Oct. 9-12, 2013. Learn more about SFJ’s 25th Annual Best Sections Contest here.
25th Annual SFJ Excellence-in-Feature Writing Competition
The SFJ Excellence-in-Features awards honor the craft of feature writing and the people who do it for a living at news organizations and wire services. Winners of the 25th Annual contest will be announced in May and honored at SFJ’s national conference at the Poynter Institute in St. Petersburg, FL., on Oct. 9-12, 2013. Learn more about SFJ’s 25th Annual Excellence-in-Feature-Writing Contest here.
The deadline for all entries is March 29, 2013.
The page from the 2001 AASFE conference program about that year’s Hall of Fame inductees: Pauline Friedman Phillips (Dear Abby) and Eppie Lederer (Ann Landers).
Said SFJ President Alec Harvey, managing producer of The Birmingham News, “As the author of Dear Abby, Phillips was a giant in the features world, earning one of the first places in our features hall of fame. Her advice was timeless, and her audience was huge – something the likes of which newspaper feature writers will rarely see again.”
Click on the photo to read the New York Times obit on Phillips.
The SFJ Foundation is accepting donations to seed the start of its new life.
Perhaps this could be one of your #26actsofkindness, or your way to ensure the future of features journalism. Through our annual conference and the Penny Bender Fuchs Diversity Fellows Program, SFJ aims to advance and recognize the important role features journalism plays in the media and society. What would we be without our stories?
To make a contribution, send a check payable to SFJ Foundation and mail to SFJ Foundation, 1100 Knight Hall, University of Maryland, College Park, MD 20742.
No donation is too small.
Before the crunch of the holiday season and other year-end activities, don’t forget to renew your SFJ Membership.
We know very well that this brave new world of journalism presents some major challenges. We also know that your membership in SFJ provides a ready source of ideas, inspiration, support and camaraderie that can help in rapidly evolving times.
It’s an exciting time for the group. As you know, the newly-formed SFJ Foundation has received tax-exempt status, which will allow for the expansion of training and mentoring opportunities offered through our Diversity Fellowship program.
Renewals (or new memberships) are good for one year. If you don’t know when your membership expires, email Merrilee Cox or call 301-314-2631.
Share the word with your colleagues and take advantage of the multiple member rates.
SFJ Conference 2012, a set on Flickr.
A photo gallery from our August conference. Photos by Kathy Lu, features editor of The Roanoke Times.
A new national journalism awards program will recognize excellence in reporting on disability issues and people with disabilities.
The Katherine Schneider Journalism Award for Excellence in Reporting on Disability is the first national journalism contest devoted exclusively to disability coverage.
Our diversity fellows put together a short video interview with outgoing president, Alice Short, at the Society for Features Journalism Conference 2012.
Learn more about the craft of features journalism, the SFJ annual conference and what’s in store for the future of the organization:
Friday was packed with action at SFJ12. Check out the latest Storify in case you missed it: http://storify.com/WeAreSFJ/sfj-conference-2012-daily-wrap-up-day-2
Even if you can’t make it to this year’s annual conference, you can still follow along with our daily Storify round-ups. There’s plenty of tweets, photos and links that could help serve as valuable resources. To follow all the action at SFJ12, simply subscribe to SFJ here: http://storify.com/WeAreSFJ/sfj-conference-2012-daily-wrap-up
The Show & Steal handouts and presentation are now available for download to SFJ members.
We are counting down the days to August 22nd and the 2012 Society of Features Journalism Conference. The full conference schedule is now posted: http://featuresjournalism.org/conference/2012conference-schedule/
Registration for the conference continues, sign-up now: http://featuresjournalism.org/2012/07/18/sfj-2012-conference-registration-open/
Here are the best “looked like we planned it this way” ideas for print and online, as presented at SFJ14 conference in Nashville.
Download the PDFs by clicking Saved the Day
The best online feature ideas from SFJ14 conference in Nashville.
You can download a PDF of all the Online superstars here.
PDFs from the SFJ14 conference in Nashville on holidays.
You can download the PDFs here: Show and Steal: Holidays
FOR MEMBERS ONLY: Enjoy great ideas in our Editor’s Choice portion of Show and Steal, as presented at the SFJ14 conference in Nashville.
Download a printable set of Editor’s Choice here.
We’ll be posting more galleries from Show and Steal soon.