SOCIETY OF FEATURES JOURNALISM HONORS THE BEST IN ITS FIELD
FOR MEDIA INQUIRIES:
Betsey Guzior, SFJ President, 803-771-8441
Merrilee Cox, SFJ Executive Director, 301-314-2631
The Society for Features Journalism has honored four Pulitzer Prize winners and three Pulitzer finalists as part of its 2014 Excellence-in-Features Awards contest.
Also receiving awards were nine newspapers for outstanding features sections and journalists in 14 other categories. Contest winners were announced today.
More than 600 entries were judged in the contest, which honors the craft of feature storytelling and the people who do it for a living at news organizations and wire services in the United States and Canada.
Pulitzer Prize winners who won SFJ awards included:
–Liz Balmaseda of the Palm Beach (Fla.) Post, who place first in arts-and-entertainment commentary in the small newspaper division. She won a Pulitzer for commentary in 1993.
–Philip Kennicott of the Washington Post, who placed first in SFJ’S Arts and Entertainment Commentary Portfolio category in the large-newspaper division. He received a Pulitzer for criticism in 2013.
–Eli Saslow of the Washington Post, who placed first in Narrative Writing in the large-newspaper division for “Into the Lonely Quiet,” a poignant look at a family who lost a child in the Newton, Conn., school shooting. He won a Pulitzer this year for Explanatory Reporting.
–Gene Weingarten of the Washington Post, who placed second for his General Commentary Portfolio in the large-newspaper division. He has won two Pulitzers for Feature Writing.
Others honored by SFJ included this year’s three Pulitzer Feature Writing finalists, a category in which no award was given. They are:
–Scott Farwell of the Dallas Morning News, who won SFJ’s Series or Project award in the large-newspaper division for “The Girl in the Closet,” a series about a woman’s efforts to lead a normal life after years of severe abuse. He was a Pulitzer Feature Writing finalist for that series.
–Christopher Goffard of the Los Angeles Times, who placed first and second in SFJ’s General Feature category. He was a Feature Writing finalist for “The Manhunt for Christopher Dormer,” which was not entered in SFJ’s contest.
–Mark Johnson of the Milwaukee Journal Sentinel, who was the writer of the series “The Course of Their Lives,” which earned two SFJ awards. He was a Pulitzer Feature Writing finalist for that series.
Also winning awards was Carlos Frias, who was an SFJ Diversity Fellow last year. Frias, of the Palm Beach (Fla.) Post, received honors in General Feature, Short Feature and for his body of work in General Commentary and Feature Specialty Writing.
Winning best-section honors in the small-newspaper category (circulation of 90,000 or less) were the Colorado Springs Gazette, Edmonton (Canada) Journal and Portland (Maine) Press Herald.
In the medium-size category (circulation of 90,001 to 199,999), the winners were the Fort Worth (Texas) Star-Telegram, St. Louis Post Dispatch and The Virginian-Pilot in Norfolk.
Winners in the large-newspaper category (circulation of 200,000 and above) were the Los Angeles Times, Star Tribune in Minneapolis and the Washington Post.
Among smaller newspapers, those receiving the most awards were the Palm Beach (Fla.) Post, with nine, and the Edmonton (Canada) Journal and (Albany, N.Y.) Times Union, with seven apiece. In the middle-sized newspaper category, the big winners were The Virginian-Pilot with 10 awards, CNN.com with five and the Austin (Texas) American-Statesman with four. In the large-newspaper category, the Washington Post received 13 honors, the Los Angeles Times won 11 and the Tampa Bay (Fla.) Times had nine.
SFJ will recognize the winners at its national conference Aug. 20-23 in Nashville. SFJ is an organization that promotes and celebrates features journalism.
For a complete list of this year’s winners, please see this link: http://featuresjournalism.org/sfj-26th-annual-contest-winners-by-category
FOR CONTEST INQUIRIES:
Suzy Fleming Leonard, contest co-chair, 321-543-4261
Jim Haag, contest co-chair, 757-446-2977
SFJ’s Penny Bender Fuchs Diversity Fellowship Program is seeking applications from journalists of color who are interested in attending our annual conference, happening Aug. 20-23 at the Freedom Forum in Nashville. Programming will have heavy emphasis on multimedia, leadership and writing.
Diversity fellows learn what’s happening in features departments nationwide while networking with outstanding journalists specializing in lifestyle coverage. Fellowships cover SFJ conference registration, airfare and hotel. Fellows will also receive a $300 stipend to be used toward conference-related expenses such as baggage and transportation fees and meals not covered by the conference.
Fellows are asked to contribute to the conference by completing a project and presenting a short report to the group at the conclusion of the event.
By Greg Braxton
2013 SFJ Diversity Fellow
ST. PETERSBURG, FLA — Ethics have always been a hallmark of journalism. But the advance of digital technology within newsroom is fueling an ethics revolution.
That was the message behind the session, “Ethics In a Digital Age,” officiated by Kelly McBride, a Poynter Institute faculty member specializing in media ethics.
“Journalism ethics will change,” McBride said during a spirited address during the Society for Features Journalism conference at the institute.
Although independence has been held as one of the pillars of journalism, readers now are valuing transparency over independence, said McBride.
“When we are transparent, then we have the trust that is crucial in a relationship with the audience,” she said. “We have to show people why they should believe, we have to communicate why we are trustworthy.”
By Greg Braxton
2013 SFJ Diversity Fellow
ST. PETERSBURG, FLA — The business of journalism is such a relentless beast filled with deadlines and constant pressure that it can have a negative, even stifling impact effect on creativity and attitude.
In a session spiced with good humor and energy during the Society of Features Journalism conference, senior Poynter Institute faculty member Jill Geisler, who specializes in leadership and management, spoke on how to nurture creativity with newsrooms, and how to heighten it without sacrificing the demands of producing news.
“We’re often so tied up on the product,” said Geisler in an address that was mainly geared to editors. “We have to be as good at growing and nurturing people as we are about the product … you want your most creative people to be engaged in the workplace.”
She provoked laughter among the attendees when she said, “Creativity is intelligence having fun,” noting that “play” is important to people who are creative.
“Set up a climate where playfulness can or can’t happen with creative people,” said Geisler, who also said that editors should not be reluctant to use “tough love” when necessary.
Geisler provided several tips, including leading “with Feedback Glasses,” instructing editors to have continued meaningful interaction with their reporters and staff so that there is an understanding of mutual goals, which will fuel motivation between both parties.
By Greg Braxton
2013 SFJ Diversity Fellow
ST. PETERSBURG, FLA — Personality profiles can be the most insightful, involving pieces in print journalism, providing in-depth glimpses into fascinating figures while simultaneously allowing writers time and space to display their craft.
But every so often, the process produces results that can be unexpected, and, in some instances, even tragic.
Tampa Bay Times enterprise reporter Leonora LaPeter Anton encountered that delicate situation with her award-winning 2012 profile of a woman suffering from persistent genital arousal disorder, a rare debilitating disease that produces unwanted sexual feelings and responses. The intricately detailed story which exposed the humiliating ordeal of Gretchen Molannen also proved to be a troubling experience for both Molannen and the seasoned Anton, who detailed their encounters during a gripping session at the October conference for the Society for Features Journalism.
Before the story with Molannen was published in late November, she committed suicide. She took her life on Dec. 1, the day after the story appeared online.
Choking up at times as she recalled the experience, Anton defined the experience as a journey between her and Molannen, two people that always had a trace of possibility that something horrible may happen.